35mm · 5:3 · colour · 15 min written by sif saga & lillian conner directed by julia weisberg-cortés

Lily of the Valley

A Vesperia Films Production

Some gardens are tended by hands you cannot see.

Official Selection, FilmQuest 2026

world premiere — oct 29, provo
nominee — best costume
nominee — best acting ensemble

Herra and Bea, the two sisters, face each other at close range, almost touching.
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Trailer

Official Trailer · 35mm · 5:3
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Synopsis

On the eve of their 18th birthday, two sisters leave their remote convent to find a species they’ve only heard of called “men.” Capturing one, they prepare for a ritualistic sacrifice, but he’s nothing like the monster they were taught to fear.

director’s statement — julia weisberg-cortés

Growing up, the women I saw on screen were often defined by trauma, whether sexual violence or the emotional harm inflicted upon them by society. So much of how I came to understand myself was shaped by the expectations and perspectives of those around me. I saw myself as inferior to men, inherently more vulnerable, and was constantly reminded that it was my responsibility to ensure I was never violated. I believe many women grow up carrying some form of resentment, whether toward society, toward men, or, most painfully, toward themselves.

Stepping into the world of Lily of the Valley was liberating. Here was an opportunity to explore the female experience without reducing the female body to a spectacle of suffering. These women are not simply vessels for trauma, nor are they subjected to violence merely to prove a point. And yet, the film is not without its own brutality. Its central irony lies in the expectation that these girls must inflict upon men the very cruelties that have been inflicted upon women. Beneath this reversal is a more unsettling question: what becomes of us when, in an attempt to survive the world as it is, we begin to betray the goodness within ourselves?

While Lily of the Valley may invite the label of a feminist film, I resist the idea that its meaning should be confined to a single category or community. The questions it raises are not exclusive to women, nor do they belong to any one ideology. They concern the human capacity to inherit cruelty, to mistake it for truth, and to perpetuate it long after we have forgotten where it began.

For me, this film is not about proving how much women have suffered. It is about confronting the beliefs that make suffering inevitable. I was excited to explore what happens when the values we inherit collide with the person we might otherwise have been. Because the most insidious forms of violence are not always those inflicted upon us, but those we learn to justify, until we can no longer distinguish between what the world has taught us to be and who we truly are.

— J.W.C.

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Frames

  • FRAME 01 / 35mm / 5:3
  • FRAME 02 / 35mm / 5:3
  • FRAME 03 / 35mm / 5:3
  • FRAME 04 / 35mm / 5:3
  • FRAME 05 / 35mm / 5:3
  • FRAME 06 / 35mm / 5:3
  • FRAME 07 / 35mm / 5:3
  • FRAME 08 / 35mm / 5:3
  • FRAME 09 / 35mm / 5:3
  • FRAME 10 / 35mm / 5:3
  • FRAME 11 / 35mm / 5:3
  • FRAME 12 / 35mm / 5:3
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Press

  • KEY ART / POSTER
  • PRESS 01
  • PRESS 02
  • PRESS 03
  • PRESS 04
  • PRESS 05
  • PRESS 06
  • PRESS 07
  • PRESS 08
  • PRESS 09
  • PRESS 10

Press kit — high-res stills and press notes available on request: info@vesperiafilms.com

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Credits

directed & edited by
Julia Weisberg-Cortés
written by
Sif Saga & Lillian Conner
produced by
Edgar Cortés Campoy
Dakota Daulby
Harrison Houde
Emma Wilson
executive producers
Sif Saga
Patrick & Deborah
Eggert & Bjorg
director of photography
Alejandro Mejia

Cast

herra
Sif Saga
bea
Lillian Conner
shawn
Dakota Daulby
gesibelle
Noelle McGrath DePaula
the matrons
Danica Jensen
Alex Vara
Zoe Head
Rachel Ly
Adora Mehala
Anna Palgen
Lauren Milici

Crew

first assistant director
Madeleine Joyce
first ac
Daniel Rodriguez
second ac & film loader
Saksham Bharti
steadicam operator
Kevin Jacobsen
gaffer
Mario Riquelme
key grip
Luis Chaves
swing
Graham Bell
production designer
Jannik Ehret
specialty prop master
Sophie Green
art pa
Sabrina Jafar
hair & make-up / specialty prop designer / sfx
Sol Henriquez
wardrobe designer
Sarah Lawrence
sound mixer / boom op
Braulio Lin
truck pa
Jay Herrera
runner
Stacy Espinoza
production assistant
Tiffany Carvahlo
site rep
Woody
bts photographer
Uriel Tlamaxco Portillo

Post

assistant editor
Katelyn Wright
post production sound
Pacific Standard Creative
re-recording mixer & supervising sound editor
Robert Marshall MPSE
dialogue editor
Paul Fonarev MPSE
colorist
Máté Ternyik

A Vesperia Films Production

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Screenings

DATEVENUECITYTICKETS
2026-10-29
2:00 PM MT
FilmQuest — Velour Live Music Gallery
world premiere · official selection
folk horror shorts block #17, “the echoes of a thousand years”
Provo, UT [→]

No screenings announced. Join the mailing list below.

or join the cult — the valley is taking applications. follow @lilyofthevalley.film