Lily of the Valley
A Vesperia Films Production
Some gardens are tended by hands you cannot see.
world premiere — oct 29, provo
nominee — best costume
nominee — best acting ensemble
Trailer
Synopsis
On the eve of their 18th birthday, two sisters leave their remote convent to find a species they’ve only heard of called “men.” Capturing one, they prepare for a ritualistic sacrifice, but he’s nothing like the monster they were taught to fear.
director’s statement — julia weisberg-cortés
Growing up, the women I saw on screen were often defined by trauma, whether sexual violence or the emotional harm inflicted upon them by society. So much of how I came to understand myself was shaped by the expectations and perspectives of those around me. I saw myself as inferior to men, inherently more vulnerable, and was constantly reminded that it was my responsibility to ensure I was never violated. I believe many women grow up carrying some form of resentment, whether toward society, toward men, or, most painfully, toward themselves.
Stepping into the world of Lily of the Valley was liberating. Here was an opportunity to explore the female experience without reducing the female body to a spectacle of suffering. These women are not simply vessels for trauma, nor are they subjected to violence merely to prove a point. And yet, the film is not without its own brutality. Its central irony lies in the expectation that these girls must inflict upon men the very cruelties that have been inflicted upon women. Beneath this reversal is a more unsettling question: what becomes of us when, in an attempt to survive the world as it is, we begin to betray the goodness within ourselves?
While Lily of the Valley may invite the label of a feminist film, I resist the idea that its meaning should be confined to a single category or community. The questions it raises are not exclusive to women, nor do they belong to any one ideology. They concern the human capacity to inherit cruelty, to mistake it for truth, and to perpetuate it long after we have forgotten where it began.
For me, this film is not about proving how much women have suffered. It is about confronting the beliefs that make suffering inevitable. I was excited to explore what happens when the values we inherit collide with the person we might otherwise have been. Because the most insidious forms of violence are not always those inflicted upon us, but those we learn to justify, until we can no longer distinguish between what the world has taught us to be and who we truly are.
— J.W.C.
Frames
FRAME 01 / 35mm / 5:3 FRAME 02 / 35mm / 5:3 FRAME 03 / 35mm / 5:3 FRAME 04 / 35mm / 5:3 FRAME 05 / 35mm / 5:3 FRAME 06 / 35mm / 5:3 FRAME 07 / 35mm / 5:3 FRAME 08 / 35mm / 5:3 FRAME 09 / 35mm / 5:3 FRAME 10 / 35mm / 5:3 FRAME 11 / 35mm / 5:3 FRAME 12 / 35mm / 5:3
Press
KEY ART / POSTER PRESS 01 PRESS 02 PRESS 03 PRESS 04 PRESS 05 PRESS 06 PRESS 07 PRESS 08 PRESS 09 PRESS 10
Press kit — high-res stills and press notes available on request: info@vesperiafilms.com
Credits
- directed & edited by
- Julia Weisberg-Cortés
- written by
- Sif Saga & Lillian Conner
- produced by
- Edgar Cortés Campoy
Dakota Daulby
Harrison Houde
Emma Wilson - executive producers
- Sif Saga
Patrick & Deborah
Eggert & Bjorg - director of photography
- Alejandro Mejia
Cast
- herra
- Sif Saga
- bea
- Lillian Conner
- shawn
- Dakota Daulby
- gesibelle
- Noelle McGrath DePaula
- the matrons
- Danica Jensen
Alex Vara
Zoe Head
Rachel Ly
Adora Mehala
Anna Palgen
Lauren Milici
Crew
- first assistant director
- Madeleine Joyce
- first ac
- Daniel Rodriguez
- second ac & film loader
- Saksham Bharti
- steadicam operator
- Kevin Jacobsen
- gaffer
- Mario Riquelme
- key grip
- Luis Chaves
- swing
- Graham Bell
- production designer
- Jannik Ehret
- specialty prop master
- Sophie Green
- art pa
- Sabrina Jafar
- hair & make-up / specialty prop designer / sfx
- Sol Henriquez
- wardrobe designer
- Sarah Lawrence
- sound mixer / boom op
- Braulio Lin
- truck pa
- Jay Herrera
- runner
- Stacy Espinoza
- production assistant
- Tiffany Carvahlo
- site rep
- Woody
- bts photographer
- Uriel Tlamaxco Portillo
Post
- assistant editor
- Katelyn Wright
- post production sound
- Pacific Standard Creative
- re-recording mixer & supervising sound editor
- Robert Marshall MPSE
- dialogue editor
- Paul Fonarev MPSE
- colorist
- Máté Ternyik
A Vesperia Films Production
Screenings
| DATE | VENUE | CITY | TICKETS |
|---|---|---|---|
| 2026-10-29 2:00 PM MT |
FilmQuest — Velour Live Music Gallery world premiere · official selection folk horror shorts block #17, “the echoes of a thousand years” |
Provo, UT | [→] |
No screenings announced. Join the mailing list below.
or join the cult — the valley is taking applications. follow @lilyofthevalley.film